18.08.2024 / 8:30 pm Salla “Neço Muko”, Himarë
Timeless Stories – Alexey Stadler cello, Adam Golka piano
Brahms, Schumann, Chopin
Brahms, Schumann, Chopin
Poulenc, Ibrahimi, Beethoven, Tchaikovsky, Borne
The exhibition will be open from August 18th throughout the festival.
Voskanyan, Muko, Çipa, Beleri, Varfi, Guma
Tomasello
“Alexey Stadler played with (…) the kind of tactile, honeyed tone capable of bringing listeners to their knees.”
The Times
Alexey Stadler, one of the finest cellists of his generation and winner of the TONALi Grand sPrix in Hamburg, caused a sensation in his BBC Proms debut performing Shostakovich’s Cello Concerto No.1 under the baton of Vasily Petrenko. Other highly successful debuts include Ulster Orchestra with Elim Chan, Deutsches Symphonie-Orchester Berlin with Tugan Sokhiev, San Francisco Symphony with Vladimir Ashkenazy and Tokyo Metropolitan Symphony with Michael Sanderling amongst others. The 2023/24 season sees Alexey Stadler in a number of high level engagements across Europe. This season’s highlights include performances with Belgian National Orchestra, Göttinger Symphonieorchester, Vorarlberger Symphonieorchester and Georgisches Kammerorchester Ingolstadt. A keen chamber musician, Alexey Stadler has performed with partners such as Janíne Jansen, Vadim Repin, Christian Tetzlaff, Viviane Hagner, Igor Levit, Alice Sara Ott, Lukáš Vondráček, Ebène Quartet and Szymanowski Quartet.
Festival appearances include the International Chamber Music Festival Stavanger, St. Petersburg’s White Nights Festival, Menuhin Festival Gstaad, Schleswig-Holstein Musik Festival, Heidelberger Frühling and Festspiele Mecklenburg-Vorpommern. Alexey Stadler performs with orchestras such as the BBC National Orchestra of Wales, Münchner Symphoniker, Irish Chamber Orchestra, Riga Sinfonietta, Mariinsky Orchestra, Nordic Symphony Orchestra, Orchestra della Svizzera Italiana and the Royal Liverpool Philharmonic Orchestra under renowned conductors such as Dmitri Kitajenko, Robert Trevino, Valery Gergiev and Marek Janowski. Born into a family of musicians, Alexey Stadler began to play the cello at the age of four. He began his studies with Alexey Lazko and continued his education at the Rimsky-Korsakov College of Music in St. Petersburg. He has participated in masterclasses with David Geringas, Frans Helmerson, Lynn Harrell, Steven Isserlis and Sir András Schiff. He received scholarships from the “Oscar und Vera Ritter-Stiftung”, “Alfred Töpfer Stiftung” and “MarthaPulvermacher Stiftung” in Hamburg. Alexey Stadler studied with Wolfgang Emanuel Schmidt at the Hochschule für Musik Franz Liszt in Weimar, and was teaching there chamber music between 2020-2023. Recently he became a Professor of Cello at the Hochschule für Musik und Theater in Hamburg and curator of Symposiums/Artistic Advisor at the Krzyżowa-Music Festival. Alexey Stadler performs on a cello by David Tecchler dating from 1715.
is an Albanian pianist based in Paris. Passionate about the transmission of musical language and communication through it, she has dedicated her career to piano performance and teaching. She has a special interest for multidisciplinary performances, where she finds a free creative and interpretative platform. As a result, in 2018, her performance “Alter” was created as an interaction of music with theater and visual-digital projections and it was premiered both in Albania and Kosovo. Since 2017 Rea has been entrusted with the management and the artistic direction of several musical and pedagogical projects within the Conservatories where she teaches. She completed the first twelve years of piano studies in Tirana with Valbona Simixhiu and Anita Tartari, during which she was awarded in national and international piano competitions. Later, she continued her superior studies and graduated at Conservatorio Superior de Castellon with Leonel Morales in Spain and at Ecole Normale de Musique “Alfred Cortot” and Schola Cantorum with Marian Rybicki, Nina Patarcec and Billy Eidi in France. Rea has performed in various concerts and festivals in France, Spain, Italy, Kosovo and Albania.
Improvisational Armenian tar player, composer and vocalist creating a distinctive sound in jazz and world music. He melds tar into multigenre compositions in both solo and group performances pushing the boundaries of Armenian music. Miqayel Voskanyan and his founded bands (MVF Band, Tarup Trio) have captured the fascination of audiences not only in Armenia but also in France, Sweden, Germany, Poland, Italy, Croatia, Romania, Jordan, Egypt, Turkey, UAE, China, South Korea, Russia, Canada, USA, and more. Miqayel has shared stages with renowned jazz icons and notable musicians such as Lenny White, Joe Lowano, Randy Brecker, NY Gypsy All-Stars Band, Anne Paceo, Ara Dinkjian, Tigran Hamasyan among other notable musicians. In 2015, Miqayel delivered the world’s first solo performance of a tar player accompanied by an orchestra at the prestigious UNESCO Concert Hall in Paris. Mastering tar for over 30 years, Miqayel presents a new perspective to the national Armenian instrument outside of traditional folk orchestras by positioning it as a lead instrument and applying innovative performance techniques. Melding the tar into multigenre original compositions Miqayel weaves a signature modern sound with Armenian lyrical vocals.
Bruno Tomasello is an Italian saxophonist and multi-instrumentalist who finds his musical investigation field in the relationship between the Alto Saxophone and the popular and ethnic music and instruments. He has been engaged for years in the research on total improvisation and on the development of extended techniques as well as new timbres for the saxophone. A personal artistic path and work that led him to collaborate with various artists in the recording of albums and live performances. In 2018, he recorded a full live album based on instantaneous composition and improvisation during a concert with the presence of the audience at the Auditorium Novecento Napoli studios with his duo: the StereoRebus.
The development of extended techniques on the alto saxophone is its main characteristic: the ability to modify the timbre of his instrument gave him the opportunity to access and attend the Afghan music seminar (in Houdetsi – Crete – at the Labyrinth headquarters in August 2023) held by master Ustad Daud Khan Sadozai, the Afghan Rubab leading expert, where for the first time the Master has allowed a saxophonist to participate to the lessons in a class of ten Rubab players. In October of the same year he attended the seminar on Ottoman Makam held by Ross Daly (founder of Labyrinth Musical Workshop) and Kelly Thoma in the context of the international project “Reshaping the Tradition”, conducted by the Accademia Musicale Chigiana with the consultancy of Labyrinth Italia. Since February 2024 he has become one of the Turkish ney students of Master Prof. Murat Salim Tokaç, recognized in Turkey as one of the greatest experts in ney and tanbur and holder of the chair as a teacher of these instruments and Manager of the Conservatory at the University of Haliç in Istanbul.
With his instantaneous composition solo project called “Call me Ishmael”, born in the summer of 2022, he toured various Italian regions finding an interest and having the honor of opening the Vinicio Capossela concert on New Year’s Eve (31/12 /2022) organized by the cultural association Verso Sud in Corato (BA). He counts in his artistic career several collaborations including Francesco Di Bella (24Grana singer and leader) Peppe Leone (frame drum player and percussionist of Vinicio Capossela), Valeria Sturba (internationally renowned thereminist), Tonino Tremila, Fabiana Martone (singer of Nu Genea), Alessio Arena (Neapolitan/Spanish singer-songwriter and writer), Dileo (Italian singer-songwriter with whom he opened Michael Kiwanuka’s concert during the Barezzi festival at the Teatro Regio in Parma), Leonardo Gallato (Sicilian singer-songwriter and poet), Luigi Scialdone (multi-instrumentalist with whom he collaborates as co-author of songs and as saxophonist for film soundtracks), Luca Iavarone (creative director of Fanpage.it), Pier Foschi (historic drummer of Jovanotti), and many others.
Born in Himara, Albania, Marios Tzavellas had the stroke of creativity from an early age, nurturing his innate talent at the Academy of Fine Arts in Tirana before moving to Greece thereafter to continue an international career. Having experimented with various mediums and techniques over the years, Tzavellas mostly works with oil and watercolor, and has completed more pieces of art than he can recall. Inspired by the rugged Mediterranean landscape, sea and sun, Tzavellas presents a collection ranging from realism to abstract in vibrant colors. Tzavellas’ art has been featured at various galleries in Athens, Kerkyra, Preveza, USA, Netherlands and Tirana. The artist has taught in Rotterdam and Amsterdam, and has created sculptures for a traditional apokriatiko carnival in Chalkida. His murals adorn the Royal Caribbean International’s Anthem of the Seas, Symphony of the Seas and Harmony of the Seas.